Archive for April, 2010

Roldo: Stimulus Money To Save County Money On Med Mart

Cuyahoga County could save up to $1 to $2 million a year in interest for the Medical Mart/Convention Center by using bond borrowings allowed by federal stimulus subsidies. The subsidy would decrease the cost of borrowing.

The savings would depend upon interest rates at the time bonds are issued, likely this year.

Federal stimulus programs allow the County to reduce interest costs on some $94.1 million in borrowing, according to County officials.

I questioned whether the subsidies could be used for other County projects. According to Matt Rubino, County director of Budget and Management, this subsidy could not have been used for other County projects.

However, Rubino said, other County General Obligation bonds – some $43 million – had been used already via the stimulus funding to help support the County’s new Juvenile Justice Center cost.

Tim Offtermatt, senior vice president of Stifel Nicolaus & Co., said that bonds for the project could be issued as early as September of this year. He is handling some financial aspects of the bonds. Squire, Sanders & Dempsey also will participate in the bond issuance.

The stimulus money gives the County the ability to borrow at a lower cost. It is not a grant but allows the cost of borrowing to be lowered as the feds subsidize some of the cost. The federal subsidy will apply to some 45 percent of the interest on $94 million in bonds, according to Rubino.

Cuyahoga County was able to increase the amount of bonding to be covered by the special funding because other counties in the state did not use the total allocated for Ohio. Money from the unused state allocation was then shifted to Cuyahoga County at its request.

The complicated allocation of subsidy allows the County to use some $20 million of borrowings on public aspects of the project. For example, the cost of new sidewalks, grass and reconstruction over the rebuilt underground convention center and new street reconstruction would be eligible for the subsidy.

The federal subsidy would lower the interest costs even below the cost that would apply to tax-exempt bonding for public purposes. Because of the private aspects of this development by MMPI of Chicago, bonds would not have necessarily been at tax-exempt rates.

Bonds that were not tax exempt would have cost the County project more dearly.

The County has collected more than $91 million in sale taxes on the quarter percent sales tax voted by the County Commissioners for this project. The tax has a 20-year term. It took effect January 2008. It will likely raise some $800 million over 20 years. The project’s estimated cost – without the cost of borrowing – is some $425 million.

I had questioned whether the County could have used this special subsidy to enable it to do other projects, for example, redevelopment of the Ameritrust property at E. 9th and Euclid Avenue.

According to Offtermatt, the Medical Mart/Convention Center project is the only one ready to go, a stipulation for the use of the special stimulus program funds via the state allocation.

County officials said that this should insure the project would come in within budget. We’ll see.


Roldo Bartimole celebrates 50 years of news reporting this year. He published and wrote Point of View, a newsletter about Cleveland, for 32 years. He worked for the Plain Dealer and Wall Street Journal in the 1960s.

He was a 2004 Cleveland Journalism Hall of Fame recipient and won the national Joe Callaway Award for Civic Courage in 1991.

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Gardens Under Glass

Sustainable & Edible

Confession: I love this project. When Galleria marketing director Vicky Poole and Jack Hamilton of Artist Review Today magazine and gallery, also located in the Galleria, approached the Civic Innovation Lab for funding, I couldn’t wait to see how they’d pull this off: vertical hydroponic greenhouse right in the center of Downtown Cleveland, growing specialty produce for area restaurants and gourmets. An educational center and related marketing business offering affiliation with sustainable economic development will help to bring awareness to the issues of urban gardening and alternative energy.

Next thing you know, Fast Company magazine picks up on it. Nice. And now Vicky and Jack are ready to harvest their first crop of lettuce, herbs and greens, as you can see when you watch the video. Anyone interested? Restauranteurs, gourmands and related sustainable businesses looking to affiliate with Cleveland’s new Downtown Eco Village should get on board. GardensUnderGlass@Yahoo.com or http://www.GardensUnderGlass.vpweb.com

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Election: Judge4Yourself.com

Judge4Yourself.com
Subodh Chandra Explains Why

Do you play the name game in the ballot box? Are you guessing about how good a judge is, based on their name alone? If so, you need to check out http://www.Judge4Yourself.com, an unbiased, non-partisan compilation of the ranking and ratings of all judges running in elections in Cuyahoga County. A joint effort by the four major bar associations, plus major media, Judge4Yourself also uses hundreds of questionnaires completed by candidate judges and lawyers who have worked with these judges. They interview the candidate judges, and their rankings can stop you from making a major mistake on election day.

Think about this: Of the 21 contested judicial races in the upcoming May 4 Election, fully one-third of them are rated “Not Recommended” by at least three of the associations, while opposing judges are ranked “Excellent.” Wouldn’t you like to know which is which and who is who? Watch the video interview with Subodh Chandra, former Law Director for the City of Cleveland, who was one of the organizers of the Judicial Candidates Rating Coalition that puts together http://www.Judge4Yourself.com.

Visit http://www.Judge4Yourself.com, and find them on Facebook & spread the word: Find Judge4Yourself on Facebook

On a page here: http://www.coolcleveland.com/wiki/Newsletter/J4y0410

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Leading with Style

Leading with Style

Thu 4/29 @ 5PM

Evaluate and refresh yr personal and professional image on Thu 4/29 from 5-8PM @ The Club at Key Ctr.

Get more info at:

http://OWBA.org

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Tai Chi Marketing

Thu 4/29 @ 11:30AM

Learn practical marketing advice at Tai Chi Marketing @ JumpStart on Thu 4/29 at 11:30AM.

Info from JumpStart:

Need to move mountains with molehill resources? Too time-strapped to be able to do much marketing? This seminar is for you. We’ve assembled a panel of A-player marketers to share their practical, repeatable stories of success at Tai Chi Marketing on Thursday afternoon, April 29th at JumpStart. Much like Tai Chi leverages small effort into big impact, this seminar is designed to help entrepreneurs deploy the fewest marketing resources they can to get the biggest payback.

Topics include:

  • How to harness what others are saying for your company’s benefit
  • How to spend your partners’ marketing budget, not your own
  • How to decide whether to use social media or not, and which tools in particular, to maximize the impact of your communications
  • How to use marketing tools to maximize your sales
  • How to better connect with customers, and entice them to promote your success

Panelists include:

Laura Bennett, CEO & Co-Founder of Embrace Pet Insurance

    • Laura has used social media, blogging, and a great customer-focused website to market her business; Embrace is rated 9+ out of 10 by customers and insures over 7,000 pets across the U.S.; Laura was the first pet health insurance actuary in the country

Sebastian Holst, Chief Marketing Officer of PreEmptive Solutions

    • Sebastian is an official expert at influencing analysts and the media to boost his software business; PreEmptive has more than 4,000 corporate clients, 40,000 registered installations in 100+ countries, and inclusion with Microsoft’s 6,000,000+ Visual Studio seats

Don Hubbard, Sr. Vice President of Sales & Marketing of PartsSource

    • Don is a whiz at using marketing to bolster a killer sales strategy and he understands their intrinsic connection; PartsSource was again named one of the 100 fastest growing companies in Ohio by the Weatherhead 100 and processes over 3,000 customer service requests daily

JumpStart Inc. – 1st Floor Conference Room
737 Bolivar Road

Register

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Cleveland 2.0

HOT Wed 4/28 @ 11:30

Hear a panel of the city’s finest fashionistas and insiders–including Valerie Mayen, Fashion Designer from Yellow Cake Shop [pictured]–discuss Cle’s Fashion Industry at the City Club on Wed 4/28 at 11:30AM.

Register

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$5K for Bus Stop art

Lakewood and RTA are looking to “enhance a proposed transit waiting environment (most people call them bus stops)” at Warren & Detroit.

Artists’ Opportunity: First Project of 2010 Arts Initiative Released

As part of Mayor Ed FitzGerald’s 2010 Public Art Initiative, the City of Lakewood has released a call to artists who are interested in designing a public art piece to enhance a proposed transit waiting environment (most people call them bus stops) in downtown Lakewood.


The City of Lakewood has been awarded a grant through Greater Cleveland Regional Transit Authority’s (RTA) Transit Waiting Environment Grant Program. The grant will enable the City to design and construct an improved bus stop near the intersection of Detroit Avenue and Warren Road in later summer 2010.

A stipend of up to $5,000 is available to the winning contributor (which must cover the construction cost of the art piece too). To participate, respond to the RFP, available below. More information available through planningATlakewoodoh.net.

http://blog.onelakewood.com/2010/04/artists-opportunity-first-project-of.html



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Roldo: Plain Dealer Columnists- Take A Lesson



When is the last time you’ve seen a column as the one written by a regular columnist for the St. Louis Post-Dispatch? I’ve copied it in total below.

Indeed, when have you EVER seen a column with similar criticism of corporate greed in the Plain Dealer? Never!

Can you ever imagine Brent Larkin writing such a piece?

I don’t think so. It just isn’t in his or the Plain Dealer’s DNA.

Who gets a break?
By BILL McCLELLAN
ST. LOUIS POST-DISPATCH
Sunday, Apr. 25 2010

Sometimes there are discordant notes in the news. Stories that might make sense by themselves make no sense when paired with another story.

For instance, there was a news item this month about St. Louis County Executive Charlie Dooley writing a letter to Bridgeton Mayor Conrad Bowers in which Dooley urged Bowers to reject a plan to give $7.2 million in tax concessions to Walmart.

Less than a week later, there was a story about the St. Louis County Council granting Panera Bread $130,000 in tax abatements to help the company move its headquarters from Richmond Heights to Sunset Hills. There was no mention of Dooley opposing this tax break.

If you oppose giving a tax break to Walmart, why wouldn’t you oppose one for Panera?

It might seem especially easy to be against Walmart. In order to sell things, Walmart needs a store. It makes no sense for the taxpayers to subsidize a store for one of the world’s most successful companies.

But Panera is not exactly struggling. Despite the recession, revenue was up 4 percent last year to $1.35 billion. Yet, the County Council voted in favor of a tax abatement with no apparent objection from the county executive.

As I said, there is something jarring about those two stories viewed side by side.

But things get more jarring if you take those two stories and put them next to any of the recent stories about budget cuts.

States are broke. Cities are broke. Counties are broke. Budgets are being slashed. Worthwhile programs are being cut. Education, the lifeline to the future, has not been spared.

Meanwhile, we’re giving tax breaks to successful companies. And for what?

Last November, St. Louis announced that the city was providing a $300,000 loan to the law firm Lewis, Rice & Fingersh so it could move two blocks — from one privately owned building to another. The second building also received about $15 million in various tax credits and loans.

Try to forget for the moment the inherent unfairness of the city providing financial help for one privately owned building to recruit a tenant from another privately owned building. Instead, ask yourself why the city ought to be providing financial help to a successful law firm.

Another law firm, Thompson Coburn, got $700,000 in tax incentives to remain downtown.

Then there’s Centene, a hugely successful company. It could afford to expand on its own, but it was the object of a bidding war. St. Louis wanted it for its Ballpark Village, another incentive-laden project. Clayton wanted it. Clayton won the bidding war by offering a 50 percent tax abatement for real and personal property taxes for up to $22 million, a sales tax exemption on construction materials and a sales tax exemption on personal property. In addition, Centene received $8 million from the state and roadwork contributions from St. Louis County.

There are two things wrong with all of this. First, all of these incentives
lead people to do projects they would not otherwise do.

For instance, let me take you to a front-page story from October 2007. The story was about three big projects downtown. These projects were supposed to reverse the decline of downtown. Together, the projects called for more than $330 million in public money.

One was Ballpark Village. The second was the new headquarters for Centene. The third was a plan to revive the St. Louis Centre mall site.

Two and a half years later, Ballpark Village is a softball field, and that’s an upgrade from a mud hole. The Centene headquarters is going up in Clayton. St. Louis Centre remains dilapidated. Its developer went bankrupt.

But the big thing wrong with all of these abatements and incentives is the shifting of responsibility. In the old days, if a merchant wanted to build a store, he built the store. If a company wanted to move from one location to another, it paid for the move.

Furthermore, businesses paid taxes. Small businesses still do.

But some of the biggest and most successful ones don’t pay their share anymore.

Meanwhile, programs are being slashed. This newspaper recently published a story about plans to close the emergency room at Metropolitan St. Louis Psychiatric Center and the Southeast Missouri Mental Health Center in Farmington. Those two hospitals had 4,634 emergency room visits last year. There will be no place for these people to go, said a social worker.

Put that story next to the one about the $7.2 million in tax breaks for one Walmart Supercenter. Try to make sense of it.

Roldo Bartimole celebrates 50 years of news reporting this year. He published and wrote Point of View, a newsletter about Cleveland, for 32 years. He worked for the Plain Dealer and Wall Street Journal in the 1960s.


He was a 2004 Cleveland Journalism Hall of Fame recipient and won the national Joe Callaway Award for Civic Courage in 1991.

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Review: Things Of Dry Hours @ Cleveland Public Theatre 04/24/10

On the surface, ‘THINGS OF DRY HOURS,’ which is getting its area premiere at Cleveland Public Theatre, would appear to be an interesting play.  It is billed as the seldom told  story of black membership in the Communist Party in the Depression-era South and an exploration of the dangerous price of personal integrity.

The storyline centers on Tice Hogan, an African American out-of-work Sunday school teacher who spends time volunteering at a park being built for white children, where he spreads the word of the gospel of Communism.  His daughter Cali takes in washing from the rich white people to help meet expenses.  Their lives get turned upside down when they take-in Corbin Tell, a white factory worker, who tells them he has killed someone and is on the run.
It is a promising subject, but the writing by Naomi Wallace is so static and lifeless that the two-act play becomes tedious.  It reads more like a well-researched doctoral dissertation than a play.  There is no real action, even the conflicts are civil, never providing much depth of character interaction.  And, the ending, which should have been a shocker, isn’t, due to the exposition format in which it is presented.

Unfortunately, the CPT production doesn’t help matters.  Director Sarah May’s blocking is excellent and she has a grasp of the story, but can’t fight the writing and her cast’s problems.  Larry Arrington-Bay (Tice) stumbled over lines, forgot some and mumbled through others.  This slowed down the already turtle’s pace of the language and detracted from what, at times, was a clear characterization.  Andrea Belser (Cali) stayed on the surface, never developing a depth of character.  Her lines were often flat, emotionless, never revealing the seething passion and hurt within her.  Only Curtis L. Young (Corbin) was animated and had the right edge to give the audience a clue that he wasn’t what he said he was.

Young’s set design was excellent.  The fragmented house placed the material in its proper setting.   His lighting design was also productive.  Richard Ingraham’s foreboding music gave more tension than the script offered.

Be aware that the staging contains full male nudity.

Capsule judgement:   Let’s hope that as the play runs, lines will be learned and characterizations more completely developed.  It’s not going to help the bland writing, but, at least, it will make the sit shorter.

From Cool Cleveland contributor Roy Berko. Berko’s blog, which contains theatre and dance reviews from 2001 through 2009, as well as his consulting and publications information, can be found at http://royberko.info. His reviews can also be found on NeOHIOpal and CoolCleveland.com.

Roy Berko, who is a life-long Clevelander, is a Renaissance man. Believing the line in Robert Frost’s poem “Road Not Taken,” each time he comes to a fork in the road, he has taken the path less traveled. He holds degrees, thought the doctorate from Kent State, Univeristy of Michigan and The Pennsylvania State University. His present roles, besides husband and grandfather, are professor, crisis counselor, author and entertainment reviewer… Read Roy Berko’s complete bio here

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Review: Soldier’s Tale & Catch And Release @ Cleveland Play House 4/22/10

What happens when you combine the talents of members of The Cleveland Orchestra, one of the top musical assemblages in the world, with Groundworks Dance, one of Cleveland’s premiere dance companies, with the Cleveland Playhouse, the oldest regional theater in America?   You get a compelling, artistic, meaningful, exciting evening of entertainment.

The three arts units are now in a unified production entitled, ‘A SOLDIER’S TALE with CATCH AND RELEASE,’  which is being staged as part of the Play House’s Fusion Fest, a celebration of new works in music, dance, and theatre.

The festival, which is in full production, and will be extended into May with extra performances of ‘BILL W AND DR. BOB,’ the story of the founding of AA in Akron, reached its zenith with the staging of ‘A SOLDIER’S TALE WITH CATCH AND RELEASE.’

The intermissionless production opens with ‘CATCH AND RELEASE,’ a 22-minute composition by Esa-Pekka Salonen, the former Music Director of the Los Angeles Philharmonic.    The music was written specifically as a companion piece for ‘A SOLDIER’S TALE.’ Salonen states that “the intent of the composition was to complement Stravinsky’s piece by using the same instrumentation in new ways.  The piece features identical scoring.”

With music superbly performed by a select group of musicians from the Cleveland Orchestra, and conducted by Tito Muñoz,  the staging of ‘CATCH AND RELEASE’ was choreographed by GroundWorks’ Artistic Director, David Shimotakahara, and superlatively danced by Amy Miller, Felise Bagley, Kelly Brunk, Damien Highfield and Sarah Perrett.

As the music changes in mood and intensity, the dancers parallel those vibes.  Lifts, twists, body engagements, turns, hops, and caresses mirror the classical, jive, contemporary music, varying from seriousness to the ironic.  The staging is enhanced by video art by renowned artist Kasumi and lighting design by Dennis Dugan, which covers the floor in an ever changing cacophony of colors and figures, paralleling the music and the movements of the dancers.

‘CATCH AND RELEASE’ is dance and Groundworks at its very best.

‘A SOLDIER’S TALE’ is a morality story of war in an absurdist world.  Conceived by Igor Stravinsky, it is ballet, camera opera and theatre which was made to be read, played and danced.  Based on a fable by C.F. Ramuz, it was first staged in 1918 and centered on a story of a soldier who trades his fiddle to the devil for a book that predicts the future of the economy.

In 1993, United States novelist Kurt Vonnegut reworked the libretto into a tale about World War II Private, Eddie Slovik, the first soldier in the United States military to be executed for desertion since the Civil War.  It is this version that is being staged at CPH.

The Groundworks dancers weave in and out between the actors, often playing parts in the story, enhancing the visual images. The acting cast, under the direction of Seth Gordon, is excellent.  The staging, a blend of Gordon and Shimotakahara’s imagination, is intriguing.

Justin Tatum creates a truly sympathetic and real character as Slovik, a soldier who hates war, has seen too much horror, and needs to escape from life as he knows it.   His mobile face, appealing voice and ability to blend in with the dancers, all add up to a well performed role.  Robert Ellis is properly gruff, yet human as the General.  Zac Hoogendyk gives an excellent reading of Dwight Eisenhower’s reasoning for Slovik’s conviction.  Lindsay Iuen is fine portraying the Red Cross Girl.

CAPSULE JUDGMENT:  ‘A SOLDIER’S TALE and CATCH AND RELEASE’ combine to be the highlight performance of CPH’s 2010 Fusion Fest.   This is a must see experience!

Side notes:  The face of Roe Green, the honorary producer, glowed throughout the production.  A production which is testament to her faith and financial backing of the festival.   Also, congrats to CPH for finally figuring out how to arrange the seats in the Baxter Stage to make it less claustrophobic.  However, the ushers should be directed to send patrons up the side aisles of the center section in order to alleviate the crowding in the center aisle.

From Cool Cleveland contributor Roy Berko. Berko’s blog, which contains theatre and dance reviews from 2001 through 2009, as well as his consulting and publications information, can be found at http://royberko.info. His reviews can also be found on NeOHIOpal and CoolCleveland.com.


Roy Berko, who is a life-long Clevelander, is a Renaissance man. Believing the line in Robert Frost’s poem “Road Not Taken,” each time he comes to a fork in the road, he has taken the path less traveled. He holds degrees, thought the doctorate from Kent State, Univeristy of Michigan and The Pennsylvania State University. His present roles, besides husband and grandfather, are professor, crisis counselor, author and entertainment reviewer… Read Roy Berko’s complete bio here

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