Archive for December, 2010

: Backwards in High Heels @ Cl…

: Backwards in High Heels @ Cleveland Play House http://bit.ly/evjaZ0

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Remembering Lady T (Teena Marie)

Remembering Lady T (Teena Marie)

Growing up in Cleveland, I can remember being in that back room with all the children, late night, playing cards, watching TV, and getting into the regular mischief that kids whose parents couldn’t afford a babysitter would get into while the adults got their groove on in the front room in the mist of zigzags, album covers, and strong drinks. I remember the first time I heard Teena Marie, I was on one of my “sneak and peeks” to see how adults get their party on, and remember hearing “Fire and Desire,” red light on, smoke in the air, and some dude slow dancing with my momma.

As a child I had always had a musical ear because on the weekend my mother was like a real DJ and soul food chef. What I instantly remember about Teena Marie is that she had such a sweet, unique and distinct voice. Songs like “Lovergirl,” “I’m Just a Sucker For Your Love,” and “Square Biz” are those songs you just know, enjoy, and sing along automatically. I also would remiss if I didn’t mention she also displayed some really fresh rhymes on “Square Biz” as well, and in 1981 was played right next to “Rappers Delight,” “Planet Rock,” and Run-DMC. Teena Marie was in every parent’s record collection, and a part of the beginning consciousness of Hip Hop.

Today, The Fugee’s should get back together because of this loss. It was their interpolation of Teena Marie’s “Oh-La-La-La” over Salaam Remi’s production, which was the jump off point, and the first single off The Score, The Fugee’s most important and last album together. “We used be number 10-Now we permanent 1,” the first line from Wyclef on this seminal record, is a classic. Right now, you can go to any club in the world, and at 1 am, at the height of the party, you can drop “Fu-Gee-La,” and you might as well call the fire marshal and just stand back and watch the magic. If you really want to tear the roof off, drop “Square Biz” afterwards and you’ll witness how classic songs can make someone who has left us in the physical become eternal.

As we mourn and reflect on our iconic musical artists who make their transitions out of this world, let’s give thanks for Lady T, her musical legacy, and her vast and impressive catalog.

RIP Teena Marie

[Photo: Echoes Archives/Redferns]

From Cool Cleveland guest writer T.A.J.

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A Furry Family New Year’s Eve @ Cle Metroparks

Fri 12/31 @ 7 – 9PM

Celebrate the New Year naturally @ the North Chagrin Nature Center. Learn about local mammals, take a hike to Buttermilk Falls & enjoy hot chocolate by the campfire.

Cleveland Metroparks – North Chagrin Nature Center

http://CleMetParks.com/events/programs/months_progs.asp#31

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New York Times covers Snow Days @ Progressive Field

Check out this article in the New York Times about Progressive Field’s new Snow Days and how other Major League Baseball teams are taking notice of this innovative way to use a baseball field year-round.

http://www.NYtimes.com

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Immigration: Path to Prosperity or Calamity?

We don’t have to tell you that immigration is the topic of much debate. Bring up the topic to a group of people and instantly people become polarized for/against immigration. Policy Bridge’s newest report, Immigration: Path to Prosperity or Calamity?, takes a stand on immigration, saying that we need to embrace immigrants in order to encourage population growth.

From the report:

“Encouraging population growth in Ohio – and Cuyahoga County, specifically – through immigration must be an imperative to offset the outflow of residents to other parts of the country. Regardless of ethnic background, the emphasis must be on attracting new residents to the state and region.”

Download the report:

http://www.Policy-Bridge.org

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Sustainability Stories of 2010: GreenCityBlueLake

The year in review. Everyone has their list of big things that happened in 2010, but GreenCityBlueLake has one of the most relevant lists of them all — Sustainaibility Stories of 2010, a look at how NEO has taken steps forward (and steps back) to become a true “Green City on a Blue Lake.” Here’s a taste of what happened in 2010: Ohio City Farm opened [farm stand pictured], the Evergreen Cooperatives received national accolades, Cleveland downtown bike station broke ground… and more.

Check it out:

http://GCBL.org

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Cleveland Street Chronicle — New paper hits the streets

The Homeless Grapevine is no more. But have no fear — there’s a new street newspaper in town. Cleveland Street Chronicle is just like the old Grapevine (it’s even run by the same organization, Northeast Ohio Coalition for the Homeless). In fact, it is the Grapevine just with a new name.

Cleveland Street Chronicle was created thanks to the help of local poets. Just like the Homeless Grapevine, the Cleveland Street Chronicle sheds light on what it means to be homeless in Northeast Ohio. Issues are packed with poetry, biting commentary and info on local homeless policies and are sold by homeless/formally homeless individuals who keep a portion of all proceeds.

Learn more about the paper here: http://ClevelandHomeless.blogspot.com

As always, you can find vendors at popular events around town & at the West Side Market.

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Mansfield: Toward A More Diverse Cleveland

Toward A More Diverse Cleveland

The excitement in the City Hall Rotunda was palpable on the evening of Wed 12/22, as Cleveland’s Global Urban Fusion Diversity party attracted over 500 folks to a space that probably was designed for half that many. The large group of people from every community, ethnicity and background in the county was brought together to break bread — something that is critically important — by a smaller group of dedicated citizens that have, for a number of years now, been pushing to make Greater Cleveland a more inclusive and welcoming place for everyone. While I did not serve on the committee that pulled this event together, I’m proud to have been involved with the umbrella group over five years.

As Richard (The Lion Hearted) Herman and Bob Smith of the PD posited in the book they co-authored, Immigration Inc., the areas of the country that embrace new citizens (along with their new ideas, wealth and ‘can-do’ spirit) are the ones that are going to thrive in the coming decades … that’s why many folks have been pushing hard for a Welcome Center for residents new to the area.

While naysayers attempt to characterize such a welcoming place as simply a site of refuge for undocumented workers and a threat to America, this envisioned center would also make foreign investors feel comfortable in the area.

The West Bank of the Flats is being redeveloped in part with funds supplied by individuals from strange-sounding places with strange-sounding names. Our challenge is to get over our xenophobia. If we don’t care to attract this type of investment here, rest assured that other locales around the country are rolling out the welcome mat.

Factor in the new Census figures and the urgency is more apparent. Ohio will lose two congressional seats due in part to shifting populations… from the Rustbelt to the Sunbelt. However, part of change is due to newly-arriving citizens eschewing our region for more welcoming environs. If we think we’re going to reverse the movement of folks from one part of the country to warmer climes we’re only fooling ourselves.

If we’re going to play catch-up we’re going to have to do it with new citizens moving from other countries. After all, in spite of our chilly winters, NEO could still look good to people coming from other countries.

Which makes it all the more curious as to why only four of our 19 members of city council were in attendance at the event? Yeah, this year I’m going to start naming names: Eugene Miller, Joe Cimperman, Brain Cummings and T.J. Dow were the only members to show up.

This lack of attendance, at least in part, stems from the antiquated notion of “Administration Events” and “City Council Events.” You see, our form of city government is supposed to have some degree of tension between the Administration side of City Hall and the Council side. They are supposed to act as a check and balance system… which is entirely good and proper.

However, this is all too often taken to silly degrees. The Administration sponsored this aforementioned event, so council members tended to feel they were not invited. If Council had sponsored it, few, if any Administration officials would have attended. It’s past time for this silliness to stop.

There are many issues, such as making Cleveland a more welcoming place, that is — or should be — of interest to everyone at City Hall (as well as the community at large) and everyone needs to sit aside past ways of doing business so that we can move our city… and the region… forward. My understanding is that another such event is already being planned; everyone from City Hall should be in attendance to show residents that such efforts have widespread support. The future of our city depends it. Come for the food, stay for the fellowship.


From Cool Cleveland correspondent Mansfield B. Frazier mansfieldfATgmail.com. Frazier’s From Behind The Wall: Commentary on Crime, Punishment, Race and the Underclass by a Prison Inmate is available again in hardback. Snag your copy and have it signed by the author by visiting http://www.neighborhoodsolutionsinc.com.

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REVIEW: Winter Solstice @ the CMNH Planetarium 12/22/10

Winter Solstice @ the CMNH Planetarium 12/22/10

The shortest day… the longest night. December 22 marks the Winter Solstice, which is either/both of the above designations. What better reason to produce a dazzling concept/concert combining spectacular sonic effects with appropriate music?

Thus, The Cleveland Museum of Natural History’s Nathan and Fannye Shafran Planetarium hosted the Almeda Trio and some 100 curious and delighted folks (twice) in just such an event. Because the seating capacity of the Planetarium is limited, especially after moving in a grand piano for the occasion, the event was given twice at 6:30 and at 8:45PM. Both Winter Solstice Celebration Concerts were sold out!

The Almeda Trio, ensemble-in-residence at The Music Settlement, consists of the musically adventurous Cara Tweed – violin; Ida Mercer – cello; and Robert Cassidy – piano. Last year, Ms. Mercer received an Artist’s Grant to create a special event and this was the result, partly due to her fascination with the winter solstice. She set about to find appropriate celestial music and came up with a remarkable list. Only two of them had been heard anywhere previously: “Pale Yellow” by Jennifer Higdon and “Winter” from Astor Piazzolla Four Seasons of Buenos Aires. They both were given intense, spectacular performances, even if at one point in “Winter” I could have sworn I heard a musical Broom Hilda! (Or a tribute to her.)

Museum Astronomer Jason Davis briefly explained the science behind the solstice in words and visual effects. It was brief, but enough to draw oohs and ahhs from the involved audience. He was only too happy to demonstrate the Museum’s new Leonard Krieger Visual Effects System, without going completely into sensory overload. The normal starry skies along with a 360° revolving image of them and other colorful kaleidoscopic effects produced ever-changing, almost bizarre and hallucinatory effects. Actually, at times, the music and the images distracted from each other.

A surprise gift from a young Cleveland musician, 20-year-old Eden Rayz, now studying in Boston, was her Quartet for Piano Trio and Subconscious Melody, or as she described it to the trio – minimalism meets heavy metal. Mr. Cassidy did most of the latter with clanging octaves in the left hand portion of the score. It’s a very mature-sounding work.

It was the opening and closing works, however, that aroused the most attention: “Concordia Laetitia” by Dave Brubeck, who just one week prior had performed at Severance Hall. Ms. Mercer had inquired about the possibility of a new piece for the occasion, and in response, Mr. Brubeck rearranged a previously-performed section of a cantata for the trio. It’s an easy-moving piece with a slightly jazzy underpart.

Local composer/arranger Paul Ferguson supplied the larger, closing piece which is in three movements: “Remains of the Day,” “Soul Stuff” and “Gently… Not.” The first featured bluesy strains from the piano, over which the two strings played in harmony. Overhead, geometric shapes were overlaid on the Milky Way, as though someone was flinging confetti through the solar system. Wow! “Soul Stuff” featured splotches of intense color over moody modulations from the piano. This was the most non-celestial display. “Gently… Not” was the most abstract, both in the music and the overheads, which featured occasional flashes like the notorious traffic cameras on the street level.

I think it’s safe to say that should this program be offered again, it would be another sell-out. My only (mild) complaint was the near-total darkness in the room. The musicians all had lights, but otherwise you literally could not see your hand in front of your face. I tried to take notes, but it was useless. Still, it was a thoroughly enjoyable multiple-sensory experience!

For more information about the Almeda Trio, visit their website: http://www.AlmedaTrio.com. The museum’s website is: http://CMNH.org.


From Cool Cleveland contributor Kelly Ferjutz, who writes: My most recently published book is Ardenwycke Unveiled (e-book and trade paper). Cerridwen has another contemporary romance from me, But Not For Love, currently available only as an e-book, but perhaps will be in print later this year. I hope to soon get around to completing some of the 30+ incomplete books in my computer!

Actually, I’ve just re-issued my very first published book (from Berkley in NY 1993) Secret Shores which is available now in regular print, plus large print and as a Kindle.

By the way, Cerridwen has also accepted two of my short stories in their Scintillating Samples (complimentary reads) area: Song of the Swan and Unexpected Comfort. I love photography as well, as you can see here. Occasionally I teach writing workshops and sometimes do editing or ghostwriting on a free-lance basis. But over and above everything else, there’s always been the writing. I can’t imagine my life without it.

And now, after more than a few requests, I’ve started a blog about writing. You can find it here.

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Ohio Knitting Mills: A store, a museum & a love letter to Cleveland

Ohio Knitting Mills
A store, a museum, and a love letter to Cleveland


Sculptor Steven Tatar, owner of Ohio Knitting Mills, is on a mission to create a new brand of clothing founded on garments created at Ohio Knitting Mills, a now-closed Cleveland industrial mainstay. His Ohio Knitting Mills shop, at 6505 Detroit Road in Cleveland, highlights the history of Cleveland’s once-thriving garment industry and shows off virgin vintage clothing of rich textures that are part of that history. His collection of design artifacts crafted during the post-World War II area through the early 1970s are displayed and available for sale in a warm and inviting space at Gordon Square.

Some people expect the shop to sell yarn and knitting needles, but instead they find sweaters, vests, dresses, and scarves knit from quality materials and created from inventive patterns that cannot be found elsewhere today. The garments were made at the Ohio Knitting Mills, located in National Screw and Tack Building at Scranton Avenue and 71st Street from 1927-69, and then at E. 61st and Euclid from 1969 through 2005. The Ohio Knitting Mills factory, founded by Harry Stone and Walker Woodworth in 1927, grew to become one of this country’s largest knitwear producers and employed 1,000 workers at one time. It was at the center of Cleveland’s thriving garment industry. The men started the company with $500 and a car, and initially made just menswear. During World War II, the company manufactured hats and sweaters for the Department of War. Three generations ran the mill for 76 years and produced knitwear for numerous retailers including J.C. Penney, Sears, Roebuck and Co., and Montgomery Ward, as well as for labels ranging from Pendleton to Van Heusen. The company’s sweater girl in the 1950s was Norma Jean Baker, who eventually changed her name to Marilyn Monroe. (Ohio Knitting Mills, though not directly involved with Norma Jean, benefited from the “sweater girl” trend.)

So how did Steven Tatar get involved? In 2004-2005, Tatar became friends with Gary Rand, Stone’s grandson, and he learned that the company started putting away samples of garments they produced after World War II when America’s expanding and newly upwardly-mobile middle class was looking for ready-to-wear knits. Gary had a large inventory of clothing and accessories made at the family’s factory and wasn’t sure what to do with it, which piqued Tatar’s interest as an artist with a passion for preserving design. The men worked out a deal—Gary would make available the family’s artifact treasures to Tatar in exchange for Tatar building the Ohio Knitting Mills brand of clothing.

Tatar says he was impassioned by the “combination of gorgeous clothing and soulful history of a family that employed thousands of hopeful people, the American dream.” Cleveland was at the center of this American dream and was second only to New York in creation of garments. Commercially available ready-to-wear clothing in many different styles and types took off after World War II when Cleveland was home to such apparel makers as Joseph & Feiss, Bobbie Brooks, Richman Brothers (first fully-integrated manufacturer of clothing). Cleveland’s garment industry was strong from 1900 through 1960, part of a larger industry which included 25 manufacturers in a close-knit group that worked together to supply the market.

“We were an important part of the creation of popular fashion at that time,” Tatar says. Americans embraced an active lifestyle and upward mobility, and America was a fashion capital in a de facto way, as it found itself the supplier for a growing middle-class culture and a major exporter of knit tops, some of which became associated with European style, like the poor boy shirt, in a kind of reverse exporting.

Tatar started out doing some trunk shows, weekend events to gauge response, and then, in 2006, took the inventory to Smith Street in Brooklyn, knowing “brands are created in New York.” The store did great for two years, and Tatar sold 1,500 pieces at the Smith Street shop, online, and through trunk shows and special events. With the core inventory getting low and the economy teetering, Tatar closed the New York store and came back to Cleveland to begin to look at how to get into production. When space became available at Gordon Square, it was offered to Tatar, and he set up what he calls a “store, museum, and love letter to Cleveland,” the interior of which was furnished from salvaged factory fixtures. He’s selling the Ohio Knitting Mills artifacts from 1947 to 1974 while looking towards producing more Ohio Knitting Mills brand garments. In addition to the sweaters, he’s selling accessories such as fisherman’s gloves to go with the sweaters and other locally-made goods, like soaps from a Chagrin Falls entrepreneur.

Steven Tatar was so engaged by the story of Ohio Knitting Mills that he wrote a book with Denise Grollmus, that includes photographs by Anna Wolf and patterns provided by a team of professional knitters and edited by Alexandra Virgiel. The book, called The Ohio Knitting Mills Knitting Book, tells the stories of the owners of the Ohio Knitting Mills, the designers who created the goods, and the factory workers who made it all possible. Tatar’s excitement about the history of the garment industry in Cleveland and for Ohio Knitting Mills is evident throughout the book and during conversations with him. Because Ohio Knitting Mills is about the creation of beautiful garments, the book includes 26 patterns for bags, vests, dresses, and other apparel that knitters can create themselves. Tatar explains, “It’s largely patterns of some of our favorite sweaters from 1940s through 1970s recreated to be hand knits. Some are for beginners, some are more challenging. We used these individual historic pieces as a context for telling a story relative to the social milieu of each of their representative eras.”

Explore Ohio Knitting Mills at 6505 Detroit Road in Gordon Square, open Wed thru Sat from 1-8PM and Sun from 1-6PM. Give them a call at 216-272-6375 or click over to http://www.OhioKnittingMills.com.


From Cool Cleveland contributor Claudia Taller, whose book Ohio’s Lake Erie Wineries will be published by Arcadia next spring. Her passion for words has led to creation of the Lakeside Word Lover’s Retreats, an outgrowth of her work with Skyline Writers. Her favorite foods are red wine, salmon, ice cream, and chocolate. She loves to read, write, tour wineries, ride her bike, ease into yoga, and cook gourmet meals for friends. Find her at http://www.ClaudiaTallerMusings.blogspot.com or at http://www.OhioLakeErieWineries.blogspot.com.



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